How Color Can Transform Space www.segmation.com
February 16, 2011 admin 1 Comment
Look around you. The buildings, the streets, the trees – they all look pretty much the same, day after day, don’t they? So much so, that you probably got to the point where you don’t really notice your surroundings anymore, other than to get from Point A to Point B, or to admire an occasional flower or sunset.
What would happen if someone painted multicolored stripes across the street you take every day to work? Imagine how much that would change your perception of the street and alter your day to day reality. Color has the power to lift you into another world, and take you beyond the ordinary. Many artists are utilizing this power to transform our everyday surroundings so that we see our own familiar spaces in a new light.
Here are three examples of how color can transform space:
- In the image above, artist Mokha Laget, in conjuction with the Corcoran and the DC Commission on the Arts and Humanities, recreated a striped street painting that she originally created 20 years earlier on 8th St. NW in downtown Washington DC. The painted stripes are an homage to former Corcoran professor and noted color field artist, Gene Davis, who died of a heart attack in 1985. The bright colors enliven the street, bringing a sense of wonder and whimsicality to the US capital.
- Rio de Janeiro, capital of Brazil, is a city with striking disparities between the rich and the poor. Twenty percent of Rio’s inhabitants live in densely populated favelas that crowd the hillsides overlooking the capital’s more wealthy residents. The ‘O Morro’ Favela Painting project is an attempt to bring color and culture to the impoverished community, injecting vitality and pride into an otherwise depressed area rife with social issues. The Favela Project is employing favela residents to paint their houses in specific, carefully-designed patterns that when finished, will be a display of beauty and color visible from the center of Rio.
- Christo and Jeanne-Claude, famous for “wrapping” buildings, bridges and entire islands, once again soared into the spotlight in 2005 with their “Gates” installation in New York City’s Central Park. For 15 days in February 2005, 7,503 vinyl saffron-colored gates rising 5 meters into the air were displayed along Central Park’s pathways, stretching a combined length of 23 miles. Although the public had mixed feelings about the installation, the gates undeniably brought color to New York’s austere winter landscape.